GardenShip and State Key Readings and Resources
This is a list of materials pertinent to GardenShip. It will be supplemented over the length of the project. Please contact us if you want to suggest additional resources that could be added
Alaimo, Stacy. “Your Shell on Acid: Material Immersion, Anthropocene Dissolves.” In Anthropocene Feminism, edited by Richard Grusin, 89–120. Minneapolis and London: University of Minnesota Press, 2017.
Chakrabarty, Dipesh. “The Climate of History: Four Theses.” Critical Inquiry 35, no. 2 (Winter 2009): 197–222.
Demos, T. J. “Art After Nature: T. J. Demos on the Post-Natural Condition.” Art Forum (April 2012): 191–197, 237.
Emmett, Robert S. “Anthropocene Aesthetics.” In Future Remains: A Cabinet of Curiosities for the Anthropocene, edited by Gregg Mitman, Marco Armiero, and Robert S. Emmett, 159–165. Chicago and London: The University of Chicago Press, 2018.
Galafassi, Diego, Sacha Kagan, Manjana Milkoreit, María Heras, Chantal Bilodeau, Sadhbh Juarez Bourke, Andrew Merrie, Leonie Guerrero, Guᵭrún Pétursdóttir, and Joan David Tàbara.“‘Raising the temperature’: the arts on a warming planet.” Current Opinion in Environmental Sustainability 31 (2018): 71-79.
Horton, Jessica L. and Janet Catherine Berlo. “Beyond the Mirror: Indigenous Ecologies and ‘New Materialisms’ in Contemporary Art,” Third Text 27, no. 1 (January 2013): 17–28.
Kimmerer, Robin. “Returning the Gift.” Minding Nature 7, no. 2 (2014): 18–24.
Latour, Bruno. “Why Gaia is Not a God of Totality?” Theory, Culture & Society 0, no. 0; Special Issue: Geosocial Formations and the Anthropocene (2016): 1–21.
Stengers, Isabelle. “The Intrusion of Gaia.” In Catastrophic Times: Resisting the Coming Barbarism, translated by Andrew Goffey, 43–50. Open Humanities Press; and meson press, Hybrid Publishing Lab, Leuphana University of Lüneburg 2015.
Todd, Zoe. “Indigenizing the Anthropocene.” In Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies, edited by Heather Davis and Etienne Turpin, 241–254. London: Open Humanities Press, 2015.